oppressed group: *speaks about their lived experiences being marginalized*
oppressors: source?

punkasslouis:

do you ever see an opinion that’s so terrible that you actually feel bad for that person’s brain


ostolero:

samurott:

why do gamers need a gate anyway

image


reading smut in english: nice
reading smut in your native language: oh god... that's... that's actually really gross... you can't say that
STOP SCROLLING IMMEDIATELY

the-spookytronian:

skelezor:

THIS IS REAL!!!!!! if u do not reblog in 10 seconds u will be visited by these  

s k e l l i n g t o n s  at midnight tonight!! don’t even risk it!1

image

As the skeleton lord, I can officially say that we are not fucking around. We ain’t no fuckboys


I found this!

thepretzelwearsalt:

the4elemelons:

knerzig:

Neat little lighter

 

image

Wait… wait a second!

image

This isn’t little…IT’S FAR AWAY!

image

OH GOD HOW FAR AWAY IS THIS?!

image

SWEET MERCIFUL JESUS! THIS ISN’T A SMALL LIGHTER!

image

THIS ISN’T SMALL AT ALL!

image

WHY IS THIS SO BIG?!

image

WHY?!??!!

Why??!!!

WHY IS THIS SO FUNNY


onlylolgifs:

Turtle enjoying a bath)

sianlooke:

unfinished fics? I love those. the way they just (clenches fists)


cross-connect:

Shinichi Maruyama

 Born in Nagano, Japan in 1968, Shinichi Maruyama hurls black India ink into water and photographs the millisecond that these two liquids collide. Capable of capturing this phenomenon at a 7,500th of a second, Maruyama takes full advantage of a recent advancement in strobe light technology which can record physical events faster than the naked eye can perceive them. In the series Kusho, which means “writing in the sky,” Maruyama’s goal is to arrest in space and time the sublime intersection of two different media before they merge into one. In some respects, the project resembles a scientific experiment, but in Maruyama’s artistic hands, the total action becomes a form of Shodo (Japanese calligraphy) performance—with the gesture executed in the air rather than on the flat surface of the paper. “Once your brush touches paper, you must finish the character, you have one chance. It can never be repeated or duplicated. You must commit your full attention and being to each stroke. Liquids, like ink, are elusive by nature. As sumi ink finds its own path through the paper grain, liquid finds its unique path as it moves through air.” -Shinichi Maruyama Txt Via MyModernMet

                                                     &&

P